It will be staged not in the Lyric Opera House with its 3,276 seats but in a nearby theater that seats just 400. 17 with Verdi’s “Macbeth,” a staple of the 19th century repertory, he will also conduct an opera that premiered in 2018: “Proving Up” by Missy Mazzoli. So although Mazzola will open Lyric’s season on Sept. “We needed somebody who would honor the achievements of Andrew (retired music director Andrew Davis) during his 21 years and at the same time take us in new directions,” Freud said. His commitment to new work was one of the factors that impressed Lyric’s general director, Anthony Freud. “My mission is not only to be a good musician in the pit waving my baton,” he said in an interview, “but to inspire a new audience, to stop showing the new generations that opera is only for certain rich elites, which disturbs me a lot.” Mazzola sees making that happen as a crucial part of his job. “Will some of these new audiences gravitate to the opera house?” “Does this ‘alternative’ activity have to become part of our regular work?” he said. The question now is how to retain these neophytes. “We’ve heard that between 25% and 40% of audiences for these activities were new,” Scorca said. “COVID was a time of discovery in this regard,” Scorca, whose organization works with companies large and small, said in an email.įorced to abandon indoor productions during the pandemic, many companies devised digital offerings as well as in-person programming in open-air venues like ball parks, drive-in movie theaters, tents and even a parking garage.
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